Treasure
"I come from a musical family, and one with a real sense of history.
My forefathers, who came from Ireland, were on the Midlothian's maiden
voyage from England to Christchurch, New Zealand in 1851.
My grandmother used to sit me on her knee and sing songs like "Danny Boy" from
as early as I can remember, and each one had a fascinating story of its own.
A singer herself in her earlier years, she has always been a never-ending source
of songs, and she travelled round the country picking up new songs to perform.
It's this legacy of music that she's been passing down to me since my childhood,
and it's many of these beautiful old songs that I've explored here on my new
album.
But new music has to be written, new songs created, otherwise we are robbing
the future of a past, and I've included on my album some new songs that I have
written with people I've met on my travels around the world. I love the idea
that in years to come, songs that I have sung, and maybe even some that I have
helped to create, might get passed down through generations of families until
they too become a part of history."
Hayley Westenra
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Track by Track
Let Me Lie
"This is an original song that I co-wrote with Sarah Class, who
arranged the music for my first album, Pure. It was a beautiful sunny June
day in London. I was
staying round at a friend's place and the sun was begging me to go outside so
I went and lay down on the grass, which I hadn't done for a while, and I immediately
felt at peace. The song describes the connection we have with the earth."
Le Notte
Del Silenzio feat. Humphrey Berney
"Another original one, I wrote it with a guy called Antonio Galbiati,
very old style, both sitting around the piano: I write the English lyrics
and he writes
the Italian ones. The chorus is in Italian and the verses are in English, a
sort of meeting of cultures. I am a sucker for Italian song and before we wrote
this
we had had lunch talking about the great Neapolitan song legacy, humour, its
ability to stir emotion, and most of all how it crosses cultures."
Shenandoah
"This is an American folk song that originated as a river shanty
but became popular with sea-going crews around the early 1800's, and another
of my Grandmother's
favourites. There are literally dozens of verses, but I've chosen the ones
that mean the most to me. It's great how the music evolves like this."
Whispering
Hope
"I believe this is an American hymn, I first heard it in New Zealand,
where it isn't as well known. We recorded the song with a choir. It's a very
hopeful
song which feels like a breath of fresh air."
Summer Rain
"This is a song I had the idea for but didn't have chance to develop,
until one day I sat with a songwriter who was in my band on a US tour called
Jeff
Franzel, who developed it with me as only experienced songwriters can. It's
a love song
describing the way love can revive just like the rain on a warm day. I had
the melody and had the lyrics and really wanted to take the song to completion,
give
a bit of structure to it. Sometimes those little details make the difference"
Danny Boy
"There's a bit of mystery behind the origins of the song. The lyrics
first appeared in print in a traditional Irish music book, however I believe
it was an English/American
creation. Nanna and I used to sing the song all the time. When I told her
on the phone I was going to record it, she just started singing it back down
the
line to me."
One Fine Day
"This is from Puccini's opera Madame Butterfly, which is set in
Japan. The lyrics are originally in Italian, however I have recorded it in
English. Long before
I was old enough to go to the opera itself I had heard this version that
I am performing here. It's in more of a song format, perhaps less dramatic than
that
performed by the divas of the time, but none the less poignant in that the
story is just as gripping carried on a melody, that must rank among the greatest
of
the last century."
Santa Lucia
"This a Neapolitan song made famous by the great Caruso. It's another
fun one to sing. It's basically a song about a guy going, 'Hey everyone come
to my
boat and we can sail across the waters, it's a beautiful night'. I take it
in quite
a different direction to the way it was immortalised by Caruso. I imagine
being in a restaurant in Italy and a group of musicians gathering round to serenade
me (in my dreams!!)."
The Heart Worships
"Written by Gustav Holst (of The Planets fame), it was one of his best-loved
songs, the text for which he stumbled on by accident. I too found it by accident,
and was immediately drawn into the depth of emotion in both sound and lyric.
It has a calming peace, quite alien to the hustle and bustle of living in
a major city."
E Pari Ra
"This is a traditional Maori song. In New Zealand we are surrounded
by Maori culture and so I feel a strong connection with this song. I distinctly
remember
the weekly sing-a-longs at our school assembly where there would always be
a teacher on hand to accompany
us on guitar. Maori songs have this beautiful, haunting simplicity."
Sonny
"This is Irish in origin and is one of my favourite songs of all
time. It's one that I've recorded with just the vocal and a piano. It's about
a mother
singing to her son, saying, 'Don't leave me here by myself; your father's gone
away;
don't leave me.' Absolutely heart-breaking! My great-grandmother was Irish
so it's in the blood and I can vividly remember turning the words into pictures
as she sang it to me."
Summer Fly
"I first heard this song a few years back and loved the feel of
it. It was only after closely listening to the lyrics that I realised it
was about the
feeling
of being young and how summertime simply flies by all too soon."
Melancholy
Interlude
"This is a John Dowland piece. He's an English Renaissance composer
and I first heard it played on guitar and loaded it straight onto my laptop.
I was in
Japan at the time and it was about 2 o'clock in the morning and got so excited
hearing
it! I just thought, 'Wow, this has an amazing melody and would work really
well as a song' so I immediately started writing lyrics to it. Maybe I should
be scared
that all the John Dowland fans (he has a fanatical following) are going to
hunt me down!"
Bist Du Bei Mir
"This beautiful piece by Gottfried Heinrich Stoelzel (often mistakenly
attributed to Bach) has such a comforting quality. Even when I first heard it
in New
Zealand without really understanding the German text, it gave me a warm glow
inside.
I choose to be a singer and I wouldn't have it any other way, but there are
many moments where I find myself alone in places like hotel rooms and this
is a song
that I turn to for comfort."
Abide With Me
"Abide With Me is a very well known hymn here in the UK and while
it would appear to be quite a sombre song, it's actually a hymn which has the
ability to
pull you from your despair. I've recorded the first verse a cappella as I think
the words deserve to be pondered upon and fully taken in."
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